Emanuel Gat technique with Michael Loehr

© LOVETRAIN2020 by Julia Gat
This masterclass offers a focused introduction to Emanuel Gat’s decentralized approach to choreography, developed over more than 30 years of creative research and practice. Facilitated by long-term collaborator Michael Loehr, the workshop provides direct access to both the mechanics and the philosophy that underpin this distinctive methodology.
At its core, the decentralized approach redefines the role of the dancer. Rather than transmitting set material or fixed forms, the process is based on presenting structured compositional “problems” and training dancers in problem-solving. As Emanuel Gat describes it: “To put it in the simplest manner, what I do as a choreographer is present a series of problems to the dancers, and then coach and train them in problem-solving — everything that has to do with analyzing situations, understanding potentials, decision-making, cause and effect, responsibility, and accountability.”
Over 3 days, participants will work with compositional systems and real-time decision-making frameworks that generate choreography through interaction rather than central control. Through practical studio processes, dancers will develop tools for analyzing situations, recognizing potential, making clear decisions, and understanding the consequences of their actions within a collective structure.
The masterclass fosters autonomy, compositional awareness, and a heightened sense of responsibility within group dynamics. Participants gain both an embodied experience of the creative tools and insight into the thinking that structures the practice — expanding their capacity as performers, collaborators, and dance makers.
Michael Loehr
has performed in choreographic works by Eun-Me Ahn, Rami Be’er, Shlomi Bitton, Ingun Bjørnsgaard, Lionel Hoche, Jan Pusch, Jo Strømgren, Guy Weizman & Roni Haver, Gregor Zöllig, and collaborated with musician Awir Leon, fashion designer and DJ Patrick Mason, and visual artist Darko Dragičević.
For the past 17 years, he has been a close collaborator of Emanuel Gat, working as a performer, co-creator, choreographic assistant, stager, and workshop facilitator.
As a teacher, he is particularly interested in exploring the intersection of sports science and dance to enhance both effectiveness and energy efficiency. He aims to help dancers understand their bodies and engage fully with their surroundings, fostering autonomy, clarity, and confidence so they can take ownership of their movement and become their own creative authority.
In 2023, Michael became the first dancer to receive the prestigious Herbert von Karajan Prize for outstanding artistic achievements.