03.04.2026
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in various forms, by attending a presentation of works-in-progress...
17.04.2026 - 18.04.2026
Discover Djamila Polo and Serge Daniel Kaboré, the young choreographers of the Emergences prgramme!
03.05.2026
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in various forms, by attending a presentation of works-in-progress...
Starting from the idea that the body reflects our society, we will gently investigate the connection between movement, sensation, and emotion during this new 55+...
À travers des mouvements inspirés des danses traditionnelles d’Afrique de l’Ouest, Serge Daniel propose un atelier où on joue avec le rythme, on invente, on...
To mark International Dance Day, TROIS C-L invites you to journey into the world of Sina Saberi! Through a practice deeply rooted in his cultural...
the body symphonic is a solo performance – concert that observes the body as a site of resistance, an engaged this body which journeys through rituals of excavation – revealing new and unbound mythologies and allowing for a limitless agency of self-representation and rootedness.
Created in response to the multiple political and geopolitical crises in Lebanon, this work is a meditation on the body’s place in the struggle against occupation, where looking back, looking in and forward become strategies of steadfastness
and liberation.
MEGASTRUCTURE is a jigsaw puzzle, a performative dance duo whose pieces are constantly being dismantled, researched, tested and reinvented. Co-creators and performers Sarah Baltzinger and Isaiah Wilson draw on their bodies, in constant cohabitation, to deconstruct the traditional format of theatre and dance. What does the audience expect from a performance? What does it take to create? With no music or other distractions, MEGASTRUCTURE is both an immersive experience and a captivating performance.
Two women eat sunflower seeds in a park, a doorway and a courtyard. They share a common space, a conversation, the intimacy of silence. The cante (singing) and baile (dancing) suddenly burst forth, transforming the mundane scene into a magic intimate spectacle.
A Taranto is a palo (form) of flamenco originally from the mining area of ​​AlmerÃa. It’s a primitive song, simple, dry, without guitar, which was born from the need to sing independently. In Taranto Aleatorio (Random Taranto), choreographer and dancer MarÃa del Mar Suárez/LaChachi and singer Lola Dolores embark on their personal take of this palo’s stark rawness. By taking a random approach, the dancer and singer embrace irreverent gestures and humour emerges.
