October 2025

Tuesday October 28

There are no events this month

07. & 08.11.25 | 55+ MOVERS with Yuval Pick

© L.Junet Photographie

Yuval Pick returns to TROIS C-L to lead a new 55+ MOVERS workshop featuring his Practice Gold method.

Practice Gold is designed for bodies rich with stories — presences shaped and deepened by time.

Through the Practice method, we explore what is alive, sensitive, and unique in each of us. Special attention is given to the limbs, the pelvis, and the spine, allowing participants to rediscover movement and mobility through joy and pleasure.

Imagery nourishes the movement, awakens the body’s memory, and opens the imagination. It’s about reconnecting with the simple pleasure of moving, of fully inhabiting one’s axis, one’s grounding, one’s breath.
Connections form among participants in a space of listening and sharing, where every gesture becomes a language and every personal journey, a source of strength.

Yuval Pick
Yuval Pick has built a long and rich career as a performer, pedagogue, and choreographer. Trained at the Bat-Dor Dance School in Tel Aviv, he joined the Batsheva Dance Company in 1991, leaving in 1995 to pursue an international career working with artists such as Tero Saarinen, Carolyn Carlson, and Russell Maliphant.
In 1999, he joined the Ballet of the Opéra National de Lyon, before founding his own company, The Guests, in 2002. From 2011 to 2024, he directed the Centre chorégraphique national de Rillieux-la-Pape, where he established a permanent artistic team, the young company Yupi, and created his own movement method, Practice.
In January 2025, he founded his new company, Lignes Sauvages, based in the Lyon metropolitan area. He also became an associate artist at the Théâtre de la Renaissance in Oullins for two seasons and was awarded a Villa Albertine 2025 residency at Bard College in New York with his company.
Over the years, Yuval Pick has developed a distinct choreographic voice, free from the many influences that have shaped his artistic journey. With each creation, he continues to deepen his exploration of the relationship between movement and music, constructing new dialogues, intertwining rhythmic elements, and reimagining space.
Today, he embarks on a new artistic chapter, with his Practice method serving as the foundation for all his upcoming works — a way to interpret and embody both new and existing musical compositions.