HORS CIRCUITS | Sound and object
What happens when you separate sound from gesture, music from dance? What presence emerges from abs...
What happens when you separate sound from gesture, music from dance? What presence emerges from abs...
Deadline is a blend of dance and performance in a moving space that plunges performers and audience ...
In their dynamic show, Amber Pansters, Maasa Sakano and Matti Tauru take a self-deprecating look at ...
YOUNG MOVERS is a brand new programme of dance and movement workshops at all levels for 15-35 year olds, combining ballet, contemporary and urban danc...
The HEDO collective wishes to bring together people of all generations who have experienced the problem of leaving in one way or another, in order to ...
For this 55+ MOVERS workshop, Aurore Gruel wishes to explore and experiment with the notion of a “danced alphabet”....
Clémentine. Two individuals searching for each other, trying to find each other but only succeeding in losing each other further. Questioning the evolution of our perception of romantic stories and the influence of the image we construct in our real and virtual lives, Rhiannon Morgan explores what remains immutable: our need for contact, for sharing, for being loved and valued by the other. To achieve this, the relationship and its beginnings are pushed to the extreme, taking the audience to task.
Rhiannon Morgan explores human relationships and unspeakable emotions through dance. The choreographer seeks to evoke a personal emotion in the spectator through the absurd. Dance becomes a bond that unites despite differences. Rhiannon Morgan plays with movement in all its forms, with the constant aim of highlighting the richness of the performing arts. Her aim is to create new perspectives on reality through stories, blending surprise, humor and wonder.
Credits
Concept and choreography: Rhiannon Morgan
Performers : Giovanni Zazzera, Rhiannon Morgan
Artistic consultant: Antoine Colla
Technical assistant: Jonathan Christoph