
3 du TROIS special edition | The 30 years of TROIS C-L
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YOUNG MOVERS is a brand new programme of dance and movement workshops at all levels for 15-35 year olds, combining ballet, contemporary and urban danc...
Between sound experiments, sensory explorations and guided improvisations, Joachim Maudet invites participants to experiment with the relationship and...
In this workshop, you will engage with the movement material from the performance The Days, focusing on sensitivity and body awareness, practiced both...
What does it mean to be strong? Who defines strength? What is our place, and how is that place perceived? Anne-Mareike takes us into the world of her ...
Structured around technical, exploratory, and creative exercises, this workshop aims to refine movement and develop body awareness......
As part of Luxembourg Pride Week, the TROIS C-L, in collaboration with William Cardoso and Rosa Lëtzebuerg, is organising a round table discussion on the notion of queerness in the performing arts.
Free registration by e-mail to contact@arelinellv.cluster026.hosting.ovh.net | For more info, click HERE
Please note: Registration for the Round Table does not entitle you to take part in the whole evening, so please visit the ticket office if you wish to attend the performances at 7pm!
Conceived as a questioning of what is defined and accepted as normal, Baby will depict with intensity the duality between the inner world, the imaginary and the thought in the face of the physicality and reality in which we live. Looking beyond norms and exploring the many forms of love, this work-in-progress aims to celebrate individuals by taking the form of a celebration of difference, of the freedom to be and to exist without compromise. William Cardoso seeks to explore the idea of confronting oneself, and others, in order to expose oneself and exist for all to see.
Baby is looking for ways to break free from the complexity of the world and the lives we lead.
Parasite shows a body stripped of prestigious technique. A body prey to its semiconscious movements, those that we make without really realising it and that we sometimes call “parasitic” gestures. Does this body belong to the dancer? Partly. It also belongs to the audience, who construct it through their own eyes and are led to inhabit it symbolically, through the narrative that is presented during the performance. The truth of the stories told about this body is doubtful.
But isn’t that always the case? This research exists between the cracks in language, when understanding is impacted, to create a space of understanding between the audience and the performer.
Ppong will explore the special feelings associated with South Korea and its history. Through dance, Jong-in Choi wishes to explore the past of his native country, from the era of the Hanbok (traditional Korean costume) to the emergence of K-pop. Using music and dance from periods that we might define as traditional or ‘retro’, the choreographer will explore through the body the stories of love, friendship, youth and romance that are specific to his ancestors and to today’s generations.