3 du TROIS | WORK IN PROGRESS – FÉV 26
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in var...
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in var...
TROIS C-L is hosting the opening night of the fourth edition of the AWA Platform!...
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in var...
Le TROIS C-L presents The Days from Theo Clinkard, Maria Nurmela and Ville Oinonen ...
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in var...
Discover Djamila Polo and Serge Daniel Kaboré, the young choreographers of the Emergences prgramme!...
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in var...
Cet OPEN MOVERS propose de découvrir une séquence issue du répertoire de Beatriz Mira & Tiago Barreiros, pour mettre en pratique les outils du duo,...
Joaquim Maudet revient au TROIS C-L pour proposer un OPEN MOVERS (16+) en lien avec sa création GIGI. Entre exploration vocale, théâtralité et imp...
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Plongez dans l’univers chorégraphique de Milena Ugren Koulas et du collectif Stylish Junkies à travers un atelier YOUNG MOVERS pour les 15-35 ans ...
Through Yuval Pick’s Practice Gold method, we explore what is alive, sensitive, and unique within each of us. It’s about rediscovering the joy of ...
Yvann Alexandre invites you on an immersive journey into his artistic world and choreographic language. After a tailored warm-up, he will open the doo...
Plongez dans l’univers chorégraphique de Milena Ugren Koulas et du collectif Stylish Junkies à travers un atelier YOUNG MOVERS pour les 15-35 ans ...
As part of a collaboration between TROIS C-L and the Kinneksbond, Sophie Breton and Alexandre Carlos invite you to step into the world of Sans quoi no...
Can a small dance change the world explores cultural dynamics in post-colonial societies, highlighting the importance of bodily expression and dance as forms of resistance, celebration and cultural intersections.
Piny explores in depth the past and present of dance, from the perspective of non-academic forms and their relationship with traditional and folk dances. She draws inspiration from street culture and clubbing in (sub)urban environments, from the perspective of different diasporas, decolonialism, queerness, tradition, futurism and institutional presences.
Piny seeks to examine the links between people, dances and their political and social contexts. She aims to link geographies and history by researching and highlighting theoretical, practical and utopian differences and similarities.
She explores themes of post-colonialism and Afrofuturism, and reflects on the space and moment within a performance. This project aims to re-centre the peripheries, to create bridges between lost ancestral lands and to create pluralistic content, a narrative space that is not just for white people and that is not Euro-centred.

CI-GÎT is a reflection on the body, in its nature as object or subject, a contemplation of possible bodily metamorphoses, subject to the gaze of others. It is a questioning of the very act of consenting to the movement and gesture of demonstrating a body. It is a reflection on the gaze of the other, as the seat of existence and acceptance, conditioning being and becoming. To exist is to be looked at.
To desire the gaze of others as much as to flee it.We both crave it and refuse it. In an abysmal sense of meaninglessness.
Rhiannon Morgan and Mária Devitzaki’s version of La Voix Humaine subtly weaves Jean Cocteau’s powerful text and Francis Poulenc’s evocative melodies with dance and video to explore the depths of the human soul. At the heart of this production is the character ‘Elle’, who takes us through the twists and turns of love, loss, manipulation, grief, loneliness and the innate need for human connection. Through her feminine gaze, we discover the raw emotions and vulnerabilities of a woman deeply affected by a complex relationship. The movements harmonise with the voice and music, creating a total experience. Thanks to this multi-faceted approach, this creation transcends cultural and temporal boundaries, allowing everyone to identify with and relate to the work.