Hannah’s focus lies on contemporary rituals and the translation of archaic roots within our society. Her choreographic works are divided in two directions: “Taming Monsters” (recreations of classic theatre themes) and “Transformances”. Hannah reflects on eurocentrism, (post-) colonialism, racism, sexism and focuses on diversity- mainstreaming, empowerment of feminist actions and genderfluidity. Her choreographic language is creatively mixing elements of dance and theatre, of ballet, dancetheatre and performance.