HORS CIRCUITS | Sound and object
What happens when you separate sound from gesture, music from dance? What presence emerges from abs...
What happens when you separate sound from gesture, music from dance? What presence emerges from abs...
Deadline is a blend of dance and performance in a moving space that plunges performers and audience ...
In their dynamic show, Amber Pansters, Maasa Sakano and Matti Tauru take a self-deprecating look at ...
YOUNG MOVERS is a brand new programme of dance and movement workshops at all levels for 15-35 year olds, combining ballet, contemporary and urban danc...
The HEDO collective wishes to bring together people of all generations who have experienced the problem of leaving in one way or another, in order to ...
For this 55+ MOVERS workshop, Aurore Gruel wishes to explore and experiment with the notion of a “danced alphabet”....
Sylvia Camarda, presents her new creation this autumn, built around the infamous personality of a dictator, a cross between Stalin, Gadhafi, Hitler, Amin Dada or even Saddam Hussein. Either voluntarily or under duress, they live as exiles from the human world. However, they relentlessly dream of breaking that exile and returning and imposing themselves using force, but also with support. Sylvia Camard surprises the audience by giving her dictator, who has gone “done the rabbit hole” a surprising way of speaking. Performing alone on stage, she has been assisted by a well-known set designer: Ingo Groher.
Find the biography of Sylvia Camarda HERE
Concept, choreography and dance: Sylvia Camarda
Scenography : Ingo Groher
Costumes: Ezri Kahn
Music creation: Steve Kaspar
External eye: Steve Karier
Production: Les Théâtres de la Ville de Luxembourg
Coproduction: Théâtre d’Esch