HORS CIRCUITS | Aerowaves
TROIS C-L presents 2 shows from the Aerowaves selection !
TROIS C-L presents 2 shows from the Aerowaves selection !
The 3 du TROIS offer an opportunity to discover contemporary dance from a different angle and in various forms, by attending a presentation of works-in-progress...
Le duo Land Before Time, formé par Joanna Holewa Chrona et Yared Tilahun Cederlund propose un OPEN MOVERS explorant rythme, connexion et espaces entre le...
Pour se remettre en forme après cette pause estivale, Vita Stasolla vous propose un atelier 55+ MOVERS pour découvrir la Gyrokinesis ! Méthode de mouvement...
After a break, TROIS C-L is relaunching this weekly workshop programme designed for 15–35-year-olds who want to dance, discover and share, with no pressure and...
Pour ce KIDS MOVERS, Giovanni Zazzera offre aux jeunes un espace où le mouvement devient un langage à part entière au cours de cet atelier....
Starting from the idea that the body reflects our society, we will gently investigate the connection between movement, sensation, and emotion during this new 55+...
Cet atelier est consacré au freestyle en waacking : à partir des techniques propres au waacking, Letizia vous aidera à explorer différentes façons de construire...
Laissez libre cours à votre créativité avec Alicia Cano Smit ! Cet atelier propose une initiation à la danse hip-hop et offre aux participant·es un...
Through Yuval Pick’s Practice Gold method, we explore what is alive, sensitive, and unique within each of us. It’s about rediscovering the joy of movement...
In the autobiographical solo Nabinam, the choreographer intimately shares his story of adoption with the audience, bridging the gap between them. Through his heartfelt story, he reveals the challenges he faced, from comparisons based on skin colour to the pain of separation from a sibling. With honesty and a touch of humour, Nabinam takes the audience on an emotional rollercoaster, skilfully navigating the many unpredictable changes of pace.
In his solo 331 grams, Isaiah challenges the limits of his own body. He uses a stethoscope linked to a Lavalier microphone to make his own heartbeat resonate through the theatre’s loudspeakers. His organ thus becomes the musical score of the piece. As the choreographer’s heart moves to new rhythms, a sense of urgency seems to accompany the new tempo, creating a natural crescendo within the choreography. This ‘nakedness’ is used to offer a reflection on the ephemeral race against time, in reaction to the speed at which the world moves today. The creation juxtaposes the exponential technological growth of our societies with the accelerated heartbeat of the performer, offering us a reflection on our human condition.