
3 du TROIS special edition | The 30 years of TROIS C-L
...
YOUNG MOVERS is a brand new programme of dance and movement workshops at all levels for 15-35 year olds, combining ballet, contemporary and urban danc...
Between sound experiments, sensory explorations and guided improvisations, Joachim Maudet invites participants to experiment with the relationship and...
In this workshop, you will engage with the movement material from the performance The Days, focusing on sensitivity and body awareness, practiced both...
What does it mean to be strong? Who defines strength? What is our place, and how is that place perceived? Anne-Mareike takes us into the world of her ...
Structured around technical, exploratory, and creative exercises, this workshop aims to refine movement and develop body awareness......
In the autobiographical solo Nabinam, the choreographer intimately shares his story of adoption with the audience, bridging the gap between them. Through his heartfelt story, he reveals the challenges he faced, from comparisons based on skin colour to the pain of separation from a sibling. With honesty and a touch of humour, Nabinam takes the audience on an emotional rollercoaster, skilfully navigating the many unpredictable changes of pace.
In his solo 331 grams, Isaiah challenges the limits of his own body. He uses a stethoscope linked to a Lavalier microphone to make his own heartbeat resonate through the theatre’s loudspeakers. His organ thus becomes the musical score of the piece. As the choreographer’s heart moves to new rhythms, a sense of urgency seems to accompany the new tempo, creating a natural crescendo within the choreography. This ‘nakedness’ is used to offer a reflection on the ephemeral race against time, in reaction to the speed at which the world moves today. The creation juxtaposes the exponential technological growth of our societies with the accelerated heartbeat of the performer, offering us a reflection on our human condition.